To witness the start of a star is usually a exceptional issue—but in 2021, we witnessed two. It was just each week into January that Olivia Rodrigo’s “motorists license” arrived, a debut single so speedy and so relatable that it speedily became a pop cultural landmark, a Music in the Year-stage statement that felt similar to a confirmation:

The revolution Nevertheless experienced what Mahmoud Refat calls “a promotional outcome” on Egypt’s music scene that built “the masses want to hear what was new; what was different; what was younger and what was coming from the streets…There was an entire other everyday living occurring that hadn't previously been exposed.”[five]Among t